By: Estefanía Romero I invite you to read the other parts of this article: · Women in Jazz | First Part: The Notion of Inferiority · Women in Jazz | Second Part: Women who Sing Jazz (Professionally?), Attraction and Persistence · Women in Jazz | Third Part: Mexican Jazz Females Female Jazz […]
By: Estefanía Romero I invite you to read the other parts of this article: · Women in Jazz | First Part: The Notion of Inferiority · Women in Jazz | Second Part: Women who Sing Jazz (Professionally?), Attraction and Persistence · Women in Jazz | Third Part: Mexican Jazz Females […]
By: Estefanía Romero This is a theoretical trail on the role of women in jazz history, and it offers reasons on why there is such a reduced presence of females in this kind of music. Also, my research exposes a series of interviews to Mexican women who belong to the […]
Article dedicated to the victims of El Paso and Dayton shootings By: Estefanía Romero This is 2019 and another unjustified violent attack was directed to Mexicans. This is a xenophobic act, another pinnacle of Donald Trump’s hate speech, which is not only terrifying because it goes against the life and […]
By: Estefanía Romero The belief that knowledge is elitist is the biggest mistake inside Mexican culture. We can add to that today that only authoritarian governments are those who take over the public radio, thus censuring the voices of the artists and intellectuals. The Fact: Cultural Radio is Dying in […]
By Estefanía Romero His intelligence, critical view and deep knowledge are some of the aspects that build the figure of Larry Blumenfeld, as someone that today belongs to the jazz world, from where he extracts different explanations that can only be formulated through the written word. This is how he […]
I took the liberty of transcribing the speech of Irina Bokova, the Director General of UNESCO, who spoke at the celebration of the International Jazz Day in 2016 at the White House, because it seemed very pertinent to me to share her ideas these days of political crisis. Obama is […]
Jazz has passed through many cultures, and as such has become a hybrid of the many sounds of the many scenes it has had contact with. Victor Patrón, with his album Otomí, recovers pre-hispanic whispers and adapts them to different lines that can be accomplished only through jazz of meditation*. […]
