At the core part of her concert, Melanie Charles elevated her beautiful African American timbre and verbalized the sentence “Fuck jazz school!”…
Women in Jazz | Third Part: Mexican Jazz Females
By: Estefanía Romero I invite you to read the other parts of this article: · Women in Jazz | First Part: The Notion of Inferiority · Women in Jazz | Second Part: Women who Sing Jazz (Professionally?), Attraction and Persistence · Women in Jazz | Third Part: Mexican Jazz Females Female Jazz […]
Top Jazz Female Instrumentalists in Mexico
By: Estefanía Romero In the conclusions of my article “Women in Jazz”, an extensive research on women in the history of this genre, it was revealed a ridiculously small percentage (3%) of jazz women instrumentalists females performing nowadays in Mexico. That’s the reason why today, March 8th, the International Day […]
Women in Jazz | First Part: The Notion of Inferiority
By: Estefanía Romero This is a theoretical trail on the role of women in jazz history, and it offers reasons on why there is such a reduced presence of females in this kind of music. Also, my research exposes a series of interviews to Mexican women who belong to the […]